Suvorova Taisiia

Born in 1999, Vyborg, Leningrad region
I work in the author’s mixed media consisting of printed graphics (linocut, silkscreen, etching on cardboard), collage and installation.

Exhibitions/Art-residences

2024

• The 4th annual festival of installation art “Feeling” in NPAK, Armenia curated by Giorgio Granata.
• Participation in an art residency with the support of the French Embassy in Armenia from the Center for Experimental Art NPAK.
• Exhibition “24 + 1” in ICEBERG/MiCT gallery in Berlin.
• Exhibition “Salt Room” in Sistersroom.space in Tbilisi.

2023

• Series of anti-war exhibitions “NO W EXHIBITION SERIES: BREAKING THE CIRCLE”, Yerevan, Tbilisi.
• Closed charity exhibition in St. Petersburg “A Year Outside” on the theme of life after a year of war in Ukraine.
• Personal exhibition “Revealing vulnerability” in art space “Forty 44”, in Armenia.
• Exhibition “New life” in “Letters and Numbers”, Armenia.
• Participation in the international art festival “SENSOR” in Armenia.

2022

• Exhibition “Screen/workshop” at Tilda Gallery, Amsterdam.
• Participation in the Moscow-St. Petersburg Print Exchange.
• Exhibition “Youth”, “Baranov Gallery”, Moscow.

Education & Job Experience

2024

• I work as an artist-designer with E. Schulmann, E. Dontsova, A. Venediktov and other agents who left Russia after the outbreak of the war in Ukraine.

2023

• Exchange studies at the State Academy of Fine Arts of Armenia.

2017-2023

• Studies at the Saint Petersburg Stieglitz State Academy of Art and Design specializing in Graphics.

Awards and publications

2023

• Became the student of the year for success in creativity in St. Petersburg Stieglitz Academy of Art and Design

2022

• Victory in the exhibition-competition of the best young artists of St. Petersburg “Art-Start”
• Victory in the All-Russian Youth competetion “The image of Peter the Great”, exhibition at the New Tretyakov Gallery, Moscow.
• Prize-winning in the international exhibition-competition of graphics “The City of Peter the Great” in the nomination “Easel graphics” at the Mesmacher readings